HAUNT3: First as Tragedy, Second as Farce

where are we, papa?

where are we, papa?

where are we, p.̴̨̩̞͑͑.̶̛͕̰̮̳̭̚͝pa?

/̸̧̻̮͚̫̲̪̜͈͈̊̿̈́̓́͗̀̌̿̓̄̍́͝͝-̴̡̧̨̛̛̺̜̦̞̤͇̮̠̗͇̘̖̗̜͒͗̔̀̀̃̄̀͛̀͗̌̉̿̆̒̂͛̓͘͝͝ͅ.̴here ä̴̤̙̩̫̻̣̙̻̱̫̻͕͈̺̀re we, p.̴a.̵̧̢̛̲̻͓̩̯̝̃̈́͛͛͂͐͊͌̿͂̔͒͂̓̐͝.̸̢̹̤̒̋̾̈́͆̀͛̎̌̓͐̿́̚͘.̴̢̡̛̠͙͕̻͍̱̗̦͎͙̯͈͍̬̠̹͖͉͙̙̦͓̞̜͍̖̥͓̹̭̍̌̔͒͆͌̌̌͐̎͑̑̽̈́̽̈́̓̌̌͘̕̕̚͜͠͠?

【I significanti flottanti o significanti vuoti sono concetti linguistici in cui i significanti non hanno precisi significati di riferimento, cioè sono parole che non hanno corrispondenza con un oggetto preciso.】

subjugation.PNG

Fai una foto  現央く

McLuhan. The Medium is the Massage. An Inventory of Effects_2.png

 

 

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HAUNT0: Digital Geometries, Capital Haunts and the Beautification of the Void

arduous spite

the day they laid the brickwork

and two hundred staff

we settled on the ocean’s floor

belly up like BP

too young to know

our exams had taken place

in a house of straw

 

<< the bridge’s broken tarmac >>

<< the oil in the empty lot >>

<< the student suicides >>

 

putrid crust of the imago

machinic repetition of the same

transferable capital

 

 

 

BABEL3: Babel is Sick of Everything

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the wretched BABEL spun fire through the auto wreck

did we die in the arms of capital? the futurist’s empty smile?

an overexposed polaroid.

zine 3 zine 3 zine 3 zine 3 zine 3 zine 3 zine 3 zine 3 zine 3 zine 3 zine 3 zine 3 zine 3 zine 3 zine 3 zine 3 zine 3 zine 3 zine 3 zine 3