arduous spite
the day they laid the brickwork
and two hundred staff
we settled on the ocean’s floor
belly up like BP
too young to know
our exams had taken place
in a house of straw
<< the bridge’s broken tarmac >>
<< the oil in the empty lot >>
<< the student suicides >>
putrid crust of the imago machinic repetition of the same transferable capital
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the end never came
for we had already arrived
An outcry an irruption a line of flight
lynchpin through the broken wheel
the violence of the panopticon
and apologies apologies apologie
le Trésor de la langue française informatisé
l'extatique
l'épuisé
l'opprimé
babel will always stand on the side of
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adieux: du spectacle mon amour – nein dasein nein dasein nein dasien
it was nice knowing you
it was nice knowing you
huis clos(ure) (no?) an end without exit a circle without entry || an eternal return (v pure?)
perhaps it was too soon, history had yet to catch up; or it had always-already been too late, and we were fooling ourselves, and we were fooling you all, and we were all grand fools in a fool world; both audience and clown, both laughter and tears, as the theatre around us burned a cacophonous scream
perhaps we deserve nothing more than this, for our ignorance, for our arrogance, for our pleasure, for our hatred, for our suffering, for our love — a love too fucking grand and terrifying to remain unbattered, untouched, unalienated, uncrushed, un un un, the beating pulse of a world still struggling, despite everything, to be more than it is, to burst apart the concrete seams, the fool’s parade, the fool’s theatre, the fool’s zine
it was nice
but it was never enough
and so it ends.
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no, probably
not
probably, never
mistook you for someone else >>
>>
>
>>
>
>>
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“there are strong parallels between suicide and consumption”
steady loss of semblance
as the world tilts
and tilts
and tilts
and tilts
and tilts.
“its not really the original one just a remake, you could say a second original”
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hopeless whirl turned back on itself
tooth smiled
and aching
; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ;
a copy a copy a copy a copy
; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ;
a a a a a a a a a a a a
–
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the empty set stands in for nothing the empty set stands in for nothing the empty set stands in for nothing the empty set stands in for nothing the empty set stands in for nothing the empty set stands in for nothing the empty set stands in for nothing the empty set stands in for nothing the empty set stands in for nothing the empty set stands in for nothing the empty set stands in for nothing the empty set stands in for nothing the empty set stands in for nothing the empty set stands in for nothing the empty set stands in for nothing
IN THE STATE OF INTEGRAL REALITY THE SIMULATION REVEALS ITS OWN NOTHINGNESS ALONG WITH OUR OWN.
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the wretched BABEL spun fire through the auto wreck
did we die in the arms of capital? the futurist’s empty smile?
an overexposed polaroid.
zine 3 zine 3 zine 3 zine 3 zine 3 zine 3 zine 3 zine 3 zine 3 zine 3 zine 3 zine 3 zine 3 zine 3 zine 3 zine 3 zine 3 zine 3 zine 3 zine 3
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atrocity atrocious pick up the new copy you know none of this matters we’re all going to die the market is a scam
NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON NON
SCAM
SCAM
SCAM
SCAM
SCAM
SCAM
SCAM
SCAM
SCAM
SCAM
SCAM
SCAM
SCAM
SCAM
SCAM
SCAM
SCAM
babel